This is a short guide to what I’ve learned about podcasting gear in preparation for the launch of the Django Chat podcast.

At the highest level all you need are a microphone to record your voice and a way to input that audio into your computer for editing and publishing. But there can be many, many steps along the way.

Microphones

The most important piece of equipment is the microphone. The two factors to understand are USB vs XLR and condenser vs dynamic.

A USB microphone is an all-in-one solution that plug directly into your computer. No additional gear needed. However they are not very durable, contain lower quality hardware overall, and are not customizable. The end result is usually lower-quality sound but also lower cost and higher convenience. If you are just starting off with podcasting, a USB microphone is a good choice.

An XLR microphone is more complex to setup and more expensive but results in superior sound. At a minimum you will need an audio interface to connect your XRL microphone to your computer via a USB cable, but it’s also common to have pre-amps and additional gear as needed. If you want the best sound and aren’t afraid to learn a little bit about audio recording, invest in a XLR microphone setup.

Dynamic microphones minimize background noise, room echo, and aren’t that sensitive to vibrations like typing on a keyboard. They are typically used for voice-only work. Condenser microphones pick up much more sound and are used more commonly for musical instrument recording however they require they are unforgiving and pick up background noise, room echo, and vibrations easily.

USB Microphones

The Blue Yeti Nano ($99) provides good sound, a USB connection, a stand, and two setting options. It is a condenser microphone so it will pick up some background noise but if you use its cardiod setting (the default for audio work) this is minimized considerably.

Blue Yeti Nano

A slightly better albeit more expensive option is the Rode Podcaster ($220) which is a dynamic USB microphone meaning it will not pick up background noise like typing on the keyboard as easily as the Blue Yeti.

Rode Podcaster

XLR Microphones

Ready to step your quality up a notch? It’s time to consider XLR-connected microphones. The first option is the Rode Procaster ($230) which is a dynamic, broadcast-quality microphone that comes with a 10 year warranty.

Rode Procaster

The industry-standard option is the more expensive Shure SM7B ($399) dynamic microphone.

Shure SM7B

Audio Interfaces

XLR microphones have no inherent way to connect directly to your computer so an intermediate piece of hardware is needed. The most popular choice is the Scarlett 2i2 ($160) which provides a pre-amp and USB connection.

Scarlett 2i2

Want even better sound? Add the DBX 286x Microphone Pre-amp & Channel Strip Processor ($200) which provides much more customization around the incoming audio including the ability to remove background noise.

DBX 286x Microphone Pre-amp & Channel Strip Processor

The setup is then one of two options:

  • XLR microphone -> DBX 286s -> Scarlett 2i2 -> computer
  • XLR microphone -> Scarlett 2i2 -> computer

Pop Filters

Most microphones will benefit from a pop filter which reduces the “pop” noise a sensitive mic will pic up from the air generated by “P” and “B” sounds. Be aware that the most popular pop filter on Amazon, the Dragonpad while only $10 does not fit the base of the Blue Yeti stand well. I ordered that first and then had to order the Auphonix 6-inch Pop Filter for Blue Yeti ($20) which does actually clamp onto the Blue Yeti stand correctly.

Auphonix Pop Filter

The Stedman PS101 ($47) is an even nicer pop filter but over twice the price.

However if you invested in the Shure SM7B ($399) it does not need a pop filter as it has one built-in.

Boom Arm & Shock Mount

If you have the space for them, a boom arm will provide much more positioning freedom so you can speak at the right angle/distance than a desktop stand.

Many podcasters swear by the Rode PSA1 ($99) for its durability and ease-of-use.

Rode PSA1

If you want to save a few dollars, the Neewer Adjustable Microphone Boom is only $14 and works just fine albeit without the same sturdiness of build.

NEEWER Adjustable Microphone Boom

Cables

Expensive XLR cables don’t make much of a difference versus cheaper ones. The main consideration is length: something around 6 feet is the most length to get but you can go shorter or longer as needed.

The LyxPro 6 Foot XLR cable ($12) is what I use because they are cheap, thin, and hold up well.

Headphones

You need a way to hear your awesome vocals, right? A good headset can be found for over a hundred dollars but you can easily spend way, way more.

One of the very best options, the Sony MDR7506 Professional Large Diaphragm Headphone ($80) is also among the cheapest. It provides good sound and a high degree of comfort.

Sony MDR7506 Professional Large Diaphragm Headphone

If you want to step it up a notch the Audio-Technica ATH-M50x ($149) provides a bit more oomph in the treble range.

Audio-Technica ATH-M50x

Want to spend more? People absolutely rave about the Bang & Olufsen Beoplay H6 ($345) though they are probably overkill for most of us.

Bang & Olufsen Beoplay H6

Mobile Recording

What if you’re recording on the go or don’t have access to a dedicated office for your podcast? You can still receive a professional sound it turns out.

The Audio-Technica BPHS1 Broadcast Stereo Headset ($199) is a dynamic microphone that is easy to pack up and removes the need to speak directly into the microphone while also typing or moving around. This has been a huge issue for me and I may end up using it as my default microphone even when I’m at a dedicated desk.

Audio-Technica BPHS1 Broadcast Stereo Headset

You can connect it directly to the small, battery powered Zoom H5 Portable Recorder ($280) which accepts two inputs (up to four with an accessory) and records onto a SD card you can then plug into your computer. If you need more inputs the Zoom H6 ($400) accepts four inputs (up to six with accessory).

Zoom H5

Editing Software

You can go a long way with either GarageBand (free on Macs) or Audacity (free everywhere). Pat Flynn has a solid YouTube tutorial on how to use both GarageBand and Audacity that I recommend.

Hosting

Ok so you’ve recorded and edited your podcast. How to make it available for all the podcast services like iTunes, Spotify, and the rest?

A podcast host will host your audio files for you and generate an RSS feed that you can then point iTunes, Spotify, or whomever at. These days most podcast hosts also provide additional analytics and increasingly offer ways to automate ads in your podcasts, too, similar to Google AdWords network.

Personally I prefer SimpleCast ($12/month and up) which has an easy-to-use UI, analytics, monetization options, an embeddable audio player, and the ability to create a customizable website. There are many other options available and at this point I don’t see much difference in pricing or features between the major hosts. Just pick one and move on!

Conclusion

And that’s it. Buy a good microphone to record, get the audio into your computer, do some basic editing, and then find a host for your content that will make it available to all the major podcast streaming services.

For a newcomer, the Blue Yeti Nano ($99) is all the gear you need. If you want to step it up a level in quality but still have the convenience of a USB microphone, the Rode Podcaster ($220) is an excellent choice. Adding a pop filter will help the sound on both.

For a professional XLR microphone the Shure SM7B ($399) is the industry go-to. At a minimum you’ll need a USB audio interface like the Scarlett 2i2 ($160) and it will sound even better with the additional DBX 286x Microphone Pre-amp & Channel Strip Processor ($200).

For a portable pro-level setup go with Audio-Technica BPHS1 Broadcast Stereo Headset ($199) + Zoom H5 Portable Recorder ($280).

Good luck!